Showing posts with label recording. Show all posts
Showing posts with label recording. Show all posts

Monday, August 18, 2014

Influences... The Pretenders

What motivates someone to be in a rock and roll band so much that they are still doing it 25 years after the first chord is struck? Certainly an inclination to be “one louder” than my brother (he plays drums, very well it must be said) and definitely a desire to be attractive to the opposite sex (and possibly a few of the same sex too). But this isn’t a scientific thing; rock and roll is a primitive urge as much as it is anything quantifiable. More so, in fact, much more so.

I have a deeply formative memory that jumps to the very front of my mind. I’m the archetypal lost soul, wandering the utterly unromantic corridors of Harrow Weald Sixth Form College (it’s called something much more high-brow these days). Up on the first floor I pass the doors to the balcony of the assembly hall. Below there is a resident band playing who have clearly been granted permission to rehearse in that space. Said combo are named, somewhat unpromisingly, Jack The Biscuit and the Five Knuckle Shuffle (and this is 20 years before the Inbetweeners). But nevertheless my sleep-deprived and (frequently) confused adolescent brain is drawn to the crack in the doors to listen, and listen, and to love the idea of rock and roll music and the raw excitement it ferments inside me. And the song they were playing that moved my spirit so much…

Back On The Chain Gang by The Pretenders. Thus begins a journey that takes me, musically speaking (and occasionally literally), all over the world. In pursuit of “that song” or “that riff” that makes my stone cold heart sing or my two left feet shuffle. That particular song will always hold an almost spiritual place in my musical memory. A small ray of light in a bleak epoch. Typically of me, I knew neither the original band nor the song and had to figure it out over time (no internet in those days). I was also convinced for a while that The Pretenders had covered it, as it felt like an older tune to me for some reason. Mind you it was released in 1982 and I recall hearing it first age 16 or 17 in 1985, practically an age later. A further year removed, in 1986, I played my first gig in a rock outfit – but more on that another time. The more I think about it, the more I can’t escape the thought - it was The Pretenders wot did it your honour.

For the record, my favourite song of theirs is Middle Of The Road which becomes more and more apt by the day.

Oh wait, I almost forgot. The entire reason for this post is that we’ve just recorded a Pretenders' cover for a friend’s birthday.

Happy Birthday Danielle.

Saturday, July 19, 2014

Get In Line

Now that I’m getting back into this Blogging thing, I realised I was very overdue with a review of the latest musical release that I’ve been intimately involved in. Namely, the debut album – Get In Line – by Country Rock chick: Charlie Savigar. This is a ten track offering which features my input on 9 of the 10 tracks. Rather than go into too much detail, I thought it might be good to give a few (hopefully) interesting facts about each song, and post the latest Promo videos which are yet to be featured here.

If you want to listen along to the tracks whilst reading my notes below, then you can stream the whole thing from Soundcloud, and if you wish to own it for yourself (and support an unsigned artist into the bargain) then you can download it from iTunes, or buy a physical copy from a gig.

Get In Line
This is a firm favourite as a live track (we usually open the set with this) and a nice little rock-n-roll number. Originally the album was going to be called “My Journey” – but I thought this sounded a little passive, so I went through the songs on the album for potential alternative titles and realised that “Get In Line” worked just great. I also had the idea for the artwork that you see at the top of the post, with us all standing repeatedly in line. This was expertly shot by, great friend of the band, Kris Gruber at my dad’s house (the same location that the Superbad video, below, was shot. See picture at the bottom of the post for more of the line).

The drums for this were recorded in sessions with Tim Pennells.

Save Your Love
The beginnings of this track predate everything else on the album by quite some way. Originally recorded in sessions with Gregg Jackman and Francis Rossi way back in 2006, it was put to one side for a while until Gregg suggested that it needed to be sped up a little. Which he proceeded to do in a very painstaking process in Logic. We then searched around for a suitably weird instrument for the intro, which we found in the shape of an oddball Washburn Rover travel guitar (see pic). Brass was supplied by Charlie’s friend Bridget Goodwin who’s favourite phrase during recording was “Just shoot me”!

This is the only track on the album that I didn’t play or sing on nor does my brother play the drums. Instead the drums were hit by Michael Kruk and the bass was added by Nicholas Rossi. Francis played the solo for this track on his distinctive customised Telecaster – in one take!

When Will You Learn?
One of my personal favourites from the album and a really great pop tune. It reminds me a little of some of Ray Davies songs.

Following The Signs
I actually recorded the first demo of this song, which is actually the version you can hear on the promo video. Gregg Jackman re-recorded the drums and possible the vocals too. Marc Wyburn supplied the electric violin.

The fun video has been featured before, but it’s well worth another look.

What's Your Name?
This is the slowest track on the album and we tried to get a more acoustic / Latin feel on this one. In the end Haydn recorded the drums playing the snare with his hands rather than brushes and sticks. There’s a little percussion loop in there and this is the only thing on the album that was not recorded specifically for it.

In order to play this track live Dan (Newell) has to switch from brushes, to one brush one stick, to full sticks and back to brushes again, it took a while to get the best version of this. The lead guitar line was played on a Taylor T5 through a tape echo simulator, which gives it that wobbly, in and out of phase sound.

Superbad
A great pop tune again, that’s great fun to play live. The video for this one was again shot at my dad’s house on a sweltering hot day. Performance artist – Frog Morris – did the background painting live and then sweated his behind off as the spaceman/robot. The video was directed, shot and edited by Ben Henderson. One other interesting fact is that Kris Gruber (who shot the Get In Line cover pictures) also helped out on the video, his hands are amongst those holding postcards. Our friend Daniel Baker also turns up as Superdude (with carefully disguised logo), everyone supplied their own costumes for this one. Both of our drummers, Haydn & Dan feature too as Bond and The Penguin respectively.

Adrenaline
The heaviest track on the album and one that was recorded pretty much all at our house. The drums were re-recorded by Gregg again, but otherwise it’s actually a home project. I’m very happy with the heavy rock sound we got on the guitars, although I couldn’t tell you now which guitar we used, possibly my Les Paul Custom. The video for this one was our lowest budget effort to date (less than £200) – it was written/directed by Frog Morris and filmed and edited by his brother Theo. We tried to mimic the beginning of the Long Way Home video at the start, before heading off into the woods.

Sell By Date
This is, probably, my favourite track on the album. It’s a quirky little number that bounces along rather pleasingly.

Long Way Home
This is another earlier recording from Francis Rossi’s studio. This was also my first studio experience of working with Charlie (I provided a few harmony woo hoos). The bass on this one was provided by Allen Sassani and the hillbilly guitar lines were played by Adam Wedd.

Although you can’t really tell from the finished work the drum track was mostly recorded in little 2 and 4 bar sections to make sure we got the killer version.

Dance
Finally the album is rounded off with another track that is mostly comprised of the demo recording. The slide guitar parts were all played on Charlie’s Tanglewood resonator.

Tracks were variously recorded by Gregg Jackman, The Animal Farm, Tim Pennells and myself and all mixed by The Animal Farm. Mastering was by Hafod Mastering in Wales.

Except where mentioned in the text all drums were played by Haydn Callow and bass by Alex Lofoco.

Sunday, February 20, 2011

Anywhere And Everywhere


It's taken 4 months, but it's finally here! The next EP release from my musical partner in crime - Charlie Savigar. Unlike the last EP - Long Way Home, which was recorded at Francis Rossi's home studio and produced by Gregg Jackman where I sang a few backing vocals - I had a slightly bigger role in bringing this one to fruition. I had a hand in the engineering, production and mixing, as well as playing guitar and singing on all the tracks!

Aside from this the majority of the singing and playing is done by Charlie herself. She sung all the vocals and played guitar and all keyboards on all the tracks (she's a very skilful piano player, which we don't get to show off live yet). The final two musicians on the tracks are my brother - Haydn Callow - who played all the drums and Italian bass player - Alex Lofoco - who supplied all the low end notes. As is the modern way the songs were recorded in a number of locations including Acton and Clapham and then mixed in my own home studio. Charlie is one of those artists who can't really be pigeon-holed into one genre and she writes in a number of musical styles. So here's a quick breakdown of what to look out for on each track:

1) ANYWHERE AT ALL
This is a toe-tapping Country rock number. As with most of these songs - Charlie's guitar is on the right and my guitar on the left (the same as we stand on stage). This was actually the last of the songs that we recorded and I felt we got the best snare sound on this track. I had a very small contribution to the writing of this song as I came up with the "anywhere at all" lyric when we were jamming it originally.

2) ADRENALINE
This song is a full out rocker and the heaviest song we play in the set. In this case my guitar is double-tracked and Charlie's picked guitar part moves from the left to the right. We shortened the intro to make the song more immediate and we play it a little different in the live show. We had great fun getting the "heys" in the middle 8 echoing from left to right in the stereo mix. This was also Haydn's first recording playing double kick drum pedal (ie he plays kick drum with both feet, for that rolling drum sound).

3) NO GOOD FOR ME
This is a song that people often pick out as their favourite song in the live set. It makes use of a lot of harmonics on the guitar (where you touch the string lightly and pluck it so it rings like a bell or a chime). It's also a great lyric, which you might not guess is about alcohol and not being able to find the drink you like! We had fun at the end of the song as mostly it's played to a click track, but the drums and bass slow down and we had to slow our guitar parts and vocals to match what they've done.

4) BLUE DAY
Again another different feel for this song which is part rock, part blues and part ballad. It's also in 3/4 time which is a bit unusual for a rock number. The end of this song originally had a 4/4 section, but we decided to change this fairly early on in the recording process and keep the 3/4 feel all the way through. Originally it also had my overdriven guitar part played all the way through, but we gradually cut it out from parts of the song to create a sparser arrangement. We also had lots of problems with one of the sung days (the first one after the guitar solo) which had an annoying "click" right in the middle of it! In the end Charlie had to re-sing that one word!! You might also be interested to know that the guitar solo is actually three different takes edited together - hopefully you'll never know that now. I have to say I really like the ending of this track where the piano chords, bass and guitar all resolve back to the root chord. The sliding guitar stop at the end is from my very first guide guitar part.

Well there you go, that's a brief summary of each track and now, I hope, you are wondering where you can get hold of the EP!! Well check out this link:

http://charliesavigar.bandcamp.com

Where you can download the tracks in MP3 format or a number of others. Also if you are quick you can buy one of a limited edition of the EP on CD. These CDs (pictured above) are individually numbered and signed by Charlie herself! Move quick if you'd like one of these as there are only 30 or so left (from 50 to start with). If you are happy to wait Charlie's EP will shortly be on iTunes and so on, and you can also download her first 3 track EP - Long Way Home from there:

Charlie Savigar on iTunes

Hope you enjoy the songs!

Daren
xxx

P.S. For those of you born in the CD/MP3 age you might be interested to know what EP stands for. It's actually short for "extended play" and comes from the days when 7" vinyl singles could be made to play at 33 1/3 rpm instead of 45 rpm. Slowing down the spin allowed more music to be put on the smaller format - hence the extended play moniker.

P.P.S. You might also like to know where Charlie is in the Hotdisc chart as it's chart day again today. She was at #36 last week and #8 in the UK chart.

P.P.P.S. As a bit of fun there is no number #13 EP - instead there are two #14s in purple cases (Charlie's favourite colour).

Monday, June 15, 2009

Seeing The Light


Technology is an amazing thing. These days I have more recording equipment and processing power available to me than many studios had in the hey-day of rock'n'roll in the 50s and 60s. Even the Beatles only had access to 4-track tape recorders in the early 1960s. My hard disk recorder can record eight inputs at a time, and play back up to 16 tracks, all in digital. To further complicate things, it also allows up to 8 takes per track. On my Apple Mac I can record as many tracks as the specification of my computer will allow. Currently the track count for my re-recording of Lightkeeper stands at 48 different "takes" on the hard disk recorder and track count on for the mix now stands at 32! It's only since the 1970s that so many tracks could be played back at mix time (on analogue tape) and, frankly, it's kind of mind-boggling.

It's further complicated by the fact that I am song-writer, guitarist, singer, studio engineer, producer and client! It's hard to step back from it all and just listen to the song and hear what it needs. This is why I've not listened to it for a day now, and will try and clear my mind before working on the mixes later this week. In case you didn't realise I'm working on this track for a charity album which will be released later this year. The album will be called "Faith" and includes a number of artists that I've seen or played with live, including Luke Jackson, Eddy Johns and Kayley Weller. It's in aid of Cystic Fibrosis and will contain 16 tracks in total. If you want to follow progress then check out their website here:

http://www.allroundmusic.co.uk/

As mentioned my own contribution will be a new (and unique) mix of Lightkeeper, featuring Haydn Callow on drums, Paul Tkachenko on bass and, err, me on everything else. This recording will exist as two mixes, one shorter one for my use on demos and a longer "album" mix just for this record. So essentially if you want to hear that mix, you will have to buy the album. You can follow my own updates on the track here or on Twitter. I will also be working of a shorter version for my own purposes, and I'll let you know as soon as you can hear this version.

In other news, last Thursday was a cracking night down at the Montague Arms again. This month's highlights included a laughing bear, a horse comedian, a real human comedian, Aaron Barschak, pie roulette and the excellent Dead Victorians. The latter featuring a unicycling violinist and the maestro Paul Tkachenko (again) this time on accordion, saw and bells!

Quite frankly a full review would be impossible, but here are some video clips:

http://www.youtube.com/user/charlotteyoung

Next one is July 9th - be there for more of the same, only different.


In the meantime, I'm playing tonight at the Abbey Tavern in Kentish Town. Full list of gigs is as follows:

15th June 2009
RAW Rocks @ The Abbey Tavern, 124 Kentish Town Rd, London, NW1 9QB

21st June 2009, open mic from 7.00pm onstage after 8.30pm
Stripped Bare @ The Phoenix, 37 Cavendish Square, London, W1G OPP

25th June 2009, open mic from 7.00pm onstage after 8.30pm
Stripped Bare @ Edinburgh Cellars, 125 Newington Green Road, Islington, N1 4RA

28th June 2009, doors 7.30pm
15 Minute Club @ Prohibition, Unit 1 Tower Bridge House, St. Katharine Docks, E1W 1AA

1st July 2009
Stripped Bare Acoustic Productions presents:
Wood 'N' Strings @ LOOM
featured act
Loom Bar, 5 Clipstone Street, London W1W 6BB


See you soon,

Daren
xxx

P.S. The picture is Paul Tkachenko (AGAIN!!) this time playing Sousaphone for the Jazz Kings as part of the Croydon Jazz & Blues Festival. He's a busy boy!

Monday, June 08, 2009

Summertime (Almost)


The Sun has made an appearance in London, and we've all been enjoying it while we can. It may not last long! This is partly why I've not written an update recently, but it's also partly because I've been very busy musically with gigs and recording for the charity album "Faith" in full swing.

Here's a bit of a round-up of what's been happening.

Duchess Showcase

It really was one of the nicest days of the year so far when I turned up to play at the infamous Duchess Showcase run by the excellent host Will O'Durkan. The Duchess has a stunning view of the looming Battersea Power Station (see picture above) and it's particularly impressive from the balcony where we hung out before the gig. The music itself was of the high standard that the Showcase prides itself on. Reuben Hollebon kicked things off with his enigmatic and individual vocal style. Laine Hines then played his retro blues eschewing microphones and amplified guitar to reach the room directly.

In total contrast to Liane I took to the stage with my VoiceLive box and looper pedal ready to go. In the end I didn't really use them as a combination of the vibe of the night and some monitoring problems meant they weren't really suitable to the evening. In the end a quiet version of After All seemed to go down the best. Many thanks to Frog and Victoria in particular who came down to support, and offered generous (and very polite) applause when Lightkeeper was introduced! A first for me.

The evening continued until quite late with first Tom Moriarty making the crowd swoon, and then Smile At Strangers making us, well, smile. Favourite moments were Tom giving up on a new song, which sounded excellent, but I guess was just debuted a little early. And then Tom (again) playing bongos for Smile At Strangers, a very relaxed and enjoyable evening all round.

Nine Bar

The Nine Bar is a new venue for me and also for the effervescent and tireless host Carl Chamberlain. Carl is one of live performer's champions and he really knows how to put on a good night and keep the crowd happy. I must confess I don't remember all the acts that played as amongst the sizeable crowd where my friends Alex, Seb, Rosie and (new friend) Ed. Now these guys are serious music lovers too, and made a point of listening, applauding and, occasionally, going to the front of the crowd to hear an act they really liked. All in all it was another extremely pleasant evening. The acts were strong, I got another sing-along going to The Fool I Am (first number of the night for me!! Lead by Carl, of course) and received some nice comments.

Carl usually does an much more indepth review of his nights than I can do here, so do follow his link above and check out his Blog.

Drum Recording

Those who follow my Blog regularly will know that I have been invited to submit a track for a charity compilation called Faith. Rather than submit an old track I decided to re-record a favourite from scratch. This time I would invite top musicians to play rather than do it all in Garage Band. Last Friday I recorded the drums played by the excellent session and live player - Haydn Callow. Who, of course, also happens to be my younger brother.

As an aside here, it is worth mentioning that none of this would be possible without my brother's influence. It is almost entirely because of him that I am playing and writing songs and performing these days. From a very young age he knew that he wanted to be a drummer and started getting a kit together as soon as he could persuade our parents to stump up the cash. In an effort to join in with him I first got a small keyboard and then, when this turned out to be not loud enough, an electric guitar. The rest, as the cliche goes, is history.

So it was a great pleasure to have him play drums for me on this recording. We set up the kit at a secret location in Hertfordshire and two hours later we had 5 good takes on disk for me to work through and add to the evolving mix of the song. Haydn's Yamaha kit sounds phenomenal and it's very easy to record, his playing is also accurate and original. The song is really coming on now and, after his suggestion, has both live drums and drum machine on it (plus a tambourine played entirely out of time by me). It's a very exciting prospect and this version of the song will only be available on the record, which will be available around October I believe.

Next stop on this trip is to record the bass with talented multi-instrumentalist Paul Tkachenko, before that though I'm hoping to add electric guitar and vocals today and tomorrow.

By the way, Paul and one of his acts: The Dead Victorians are playing at the Montague Arms - this Thursday 11th June. It's 2nd Thursdays hosted by Frog Morris that night, which is always a fun evening. I'll be there to support the night, so why not come down from about 8.30pm and be a part of the night which also features Pie Roulette!

Well that's all for now, catch you later.

Daren
xxx

Monday, May 25, 2009

Influences... Morrissey


Morrissey has just turned 50 so it seems appropriate to say a few words, and what better person to kick off an occasional series on musical influences. I should say straight away that I wasn't a big fan of The Smiths, although I do own Big Mouth Strikes Again on 12" I prefer the live Morrissey version... "as her iPod started to melt". Somehow The Smiths were just too depressing in a pretty poor time for rock music in the UK.

Morrissey's solo music started in the same vein and then became more playful (if still willfully at odds with everything). I think the key difference though is the rest of his band, Boz Boorer and, particularly, Alain Whyte are big heros of mine and do, in fact, write most of the tunes on Morrissey's records. Ringleader of the Tormentors and You Are The Quarry are my favourite albums, but his band is also great live so check out the excellent Live At Earl's Court which sees them all at their peak (before Alain Whyte left the band) and includes some rare Morrissey tracks and some of the best Smiths songs too. This last record also includes one track that was never on an album but sums up the best of Morrissey's music for me, if you want one track to check out then listen to Don't Make Fun Of Daddy's Voice - cracking tune, amusing yet caustic lyrics... perfect rock.

Of course I realise that Morrissey is much like that other British tradition that begins with M - Marmite. People tend to either love him or hate him - which is the sign of a truly radical artist, I could never court controversy the way he does, but I do try to be more creative than average in my lyrics. Whichever, it's good to see some real longevity in the UK music scene, so happy birthday you old bugger - I hope you have plenty more!

Some miscellaneous memories relating to Morrissey and (ahem) booze:

1) Drinking my friend Adrian's ENTIRE collection of red wine, whilst alternately playing and arguing for early or late period Morrissey songs as being the best. We agreed, drunkenly, to disagree.

2) Missing Morrissey's appearance at a Paris festival because Peachy and I didn't make it out of the hotel bar. What can I say, I enjoy getting drunk with friends... we did make it to see Radiohead the next day, and they were utterly fantastic.

To hear the Morrissey influence, check out my song: The Fool I Am


In other news, the recording for the charity record is full steam ahead. I'm very pleased that the peerless Haydn Callow and frighteningly brilliant Paul Tkachenko have agreed to play respectively drums and bass for me. I'm very, very excited about this. Now perhaps if I can just get Tony Visconti to produce it... hmmm. Much more news on this to follow.

The recording is leading to a slight lull in gigs, but I will be back stronger than ever with some new arrangements (although no new songs just yet) on the 4th June at the Nine Bar near Tower Bridge.

Full gig list:

4th June 2009, music from 7.30pm
The Nine Bar, 146 Tanner Street, London, SE1 2HG

15th June 2009
RAW Rocks @ The Abbey Tavern, 124 Kentish Town Rd, London, NW1 9QB

21st June 2009, open mic from 7.00pm onstage after 9pm
Stripped Bare @ The Phoenix, 37 Cavendish Square, London, W1G OPP

28th June 2009, doors 7.30pm
15 Minute Club @ Prohibition, Unit 1 Tower Bridge House, St. Katharine Docks, E1W 1AA

1st July 2009
Stripped Bare Acoustic Productions presents:
Wood 'N' Strings @ LOOM featured act
Loom Bar, 5 Clipstone Street, London W1W 6BB

Best wishes to you all,

Daren
xxx

P.S. Shamefully I have never seen Morrissey live, so the picture above is me and Peachy missing Morrissey in Paris, August 2006.

Sunday, May 17, 2009

Early Warning


As hinted at on Facebook (be-friend me here or become a fan of my music here) I was losing the will a bit. I'd had two good, but emotionally draining, gigs in London and had got home a 1am for the third night in a row. Then just as I was questioning myself some good things came along and it's time to share these with you.

Firstly I've got two good gigs coming up and I wanted to give you plenty of advance warning, if you can get into London on one of these dates, then please come and watch and listen. Firstly on the 4th June I'm playing as a headline act at the Nine Bar in SE1 (146 Tanner Street, London, SE1 2HG) close to Tower Bridge. There are four headline acts and five "surprise" slots, so it's going to be a super night of music. Get down for about 8pm.

Secondly I'm playing at the prestigious Loom Bar (5 Clipstone Street, London W1W 6BB) as a special guest on the 1st July (plenty of warning on this one!!). Doors open at 7pm and the show kicks off at 7.45. I'll be using all the gadgets (Voicelive box and looper) for this great show and there will be some surprises even if you've seen me recently. If you make it to one gig of mine over the Summer, then make it this one.

Thirdly there is a possibility that a new recording of mine will be on a charity compilation record (in aid of Cystic Fibrosis). Nothing definite yet, but I'll bring you more news as soon as I have it.

I'm also playing really good gigs at Prohibition and The Phoenix in central London, here are all the up-and-coming dates, put them in your diary now.

4th June 2009, music from 7.30pm
The Nine Bar, 146 Tanner Street, London, SE1 2HG

21st June 2009, open mic from 7.00pm onstage after 9pm
Stripped Bare @ The Phoenix, 37 Cavendish Square, London, W1G OPP

28th June 2009, doors 7.30pm
15 Minute Club @ Prohibition, Unit 1 Tower Bridge House, St. Katharine Docks, E1W 1AA

1st July 2009
Stripped Bare Acoustic Productions presents:
Wood 'N' Strings @ LOOM featured act
Loom Bar, 5 Clipstone Street, London W1W 6BB

See you at a gig very soon.

Daren
xxx

P.S. The picture is from Ultravox live at Hammersmith back in April - I was literally in row Z, but I still enjoyed it very much.

Monday, March 02, 2009

A Song About Pain


There is a lot of pain around in life: the pain of loss, of separation, of illness. But can there be times when pain is a good thing? It warns us of problems, reminds us we are alive and some people enjoy the way it can mingle deliciously with pleasure. Some people mistake pain for love. Chastisement for devotion. All I know is that it is necessary, sometimes healthy and mildy addictive.

Am I a pain junky?

No idea, but here is a song wot I wrote about it.

A Song About Pain
==================

Another lover packs their boxes
And moves away from the lies
But there are no lies in the tears in my eyes
as I ask myself if I am to blame

'Cos it's not like I know any better
And it's not like I'll ever change
I just keep on making the same mistakes,
So maybe I just like the pain
Maybe I just want the pain.


So there I am just lying
Alone on my bedroom floor
Another vodka or wine will hurt me just fine
But you know that I still want more

'Cos it's not like I know any better
And it's not like I'll ever change
I just keep on making the same mistakes,
So maybe I just like the pain,
Maybe I just want the pain!


You give me pleasure and you give me pain,
Over and over and over again.
I need the torture and I need the fear,
'Cos it's not torture if I volunteer

'Cos it's not like I know any better
And it's not like I'll ever change
I just keep on making the same mistakes,
So maybe I just like the pain
Maybe I just want the pain.

'Cos it's not like I know any better
And it's not like I have any shame
I just keep on making the same mistakes,
So maybe I just like the pain
maybe I just want the pain
maybe I just love the pain


(D. Callow 2009)

Oh, and you can hear how it sounds right here:

A Song About Pain - MP3

It's dedicated to all my friends in Blog world and real life, who like to invite a little pain into their lives from time to time - you know who you are.

Daren
xxx

P.S. I love the picture on this post taken by the excellent Kris Gruber. I will send a signed CD of this song and a few others to whoever can get closest to guessing where it was taken. Nearest guess (as measured on Google Earth) wins.

Saturday, February 28, 2009

Music Around London


Busy, busy week. So here's a quick round up.

Tuesday

Open mic night at The Eagle near Old Street. Nice to be playing in a different place and to a fairly big crowd. Also good to see my friend Anne-Marie Sanderson on great form.

Wednesday

Back to the River Bar on a very, very busy night. Played my two tunes, met some nice people and hung around to see the rest of the night.

Thursday

This one deserves more than just a single line... I was very excited to play for Jazzman John up at the Fused Lounge Bar in Lewisham. This was partly because it's an easy bus ride for me to get there, but also because it promised to be a great night and I wasn't disappointed. First up was a fantastic trombone three-piece, who really entertained us and finished with a cover of the Star Trek theme! I was next up, and despite a really dodgy mic played through four of my songs. The evening went from strength to strength as performer after performer produced some really memorable moments. Sometimes Jasmine improvised with an electric cello, loops and effects, and Dan Razer played some great guitar and very evocative songs. The evening ended with Jazzman John himself rapping over improvised guitar, cello and saxophone (pictured above). It was and excellent night, and I do recommend it highly.

Saturday

Oh yeah, that's today... I have finally recorded my new song called A Song About Pain - I will Blog on this properly tomorrow and give you a chance to hear it.

Next gig is on Monday when I head to the Abbey Tavern in Kentish Town for the RAW open mic night.

Daren
xx

Thursday, February 05, 2009

Life Goes On...



"...Sing-a-long if you know where I'm coming from"

It's been quite an intense couple of weeks in many ways, and I must say I'm certainly feeling it a bit. The last few days especially have been a time for reflection, re-motivating and re-starting. Last Sunday (1st) I played at the Surface Unsigned Festival in Tufnel Park. On the whole it was a fun experience, I met some cool bands (and one decidedly uncool singer) and I pitched my solo set (with voice effects and looper) against five rock bands! It was certainly a crazy thing to do and it was no huge surprise that I didn't get through to the next round, but all the same I was a bit disappointed. In the end the maths was just weighted against me, I'd relied on picking up some of the band votes (each band got two votes worth 20 points each) which I did (more than any other act) but just couldn't pull in the text votes and audience votes to get into the top 4. I have to say though I did well not to come last, and I am very grateful to all those who texted in and, especially, to Adrian, Olivia, Alan (my dad) and Lorraine who all come through the snow to vote for me in person. If you are interested you can see the full breakdown of the scores here:

http://www.surfaceunsigned.co.uk/londonHomepage.html

As you can see I missed out on fourth place by just 14 votes! Mind you The JayWays, who pulled out on the day, are an excellent band who might well have displaced a few higher up. At least I was there, I competed (against bands) and did myself proud. It was hard work doing the looping and trying to sing in tune when the onstage monitoring was a bit iffy, but apparently it sounded good out front, so what else could I do?

After enjoying a couple of post-gig drinks and hearing the result I headed out to find that the whole of London had turned white! As you probably know, we don't get snow in London very often and we are never prepared for it. Consequently I arrived at Balham station (after a very pleasant journey with one of the other bands and four girls from the Czech Republic!) to find no trains running, no buses running and one of the two cab companies shutting up early! The other company had a queue and there was me with a guitar and a bag full of electronic equipment trying to get in whilst the snow fell on me. I couldn't actually get into the lobby, so I check the buses again (no joy) and was just beginning to think I might actually have to walk home (some 9 km or so) through the increasing piles of white. Fortunately the other cab company had space for me to enter now, so I did only to find out that the cab that had just left was my best bet. Fortunately they waited, and after a quick trudge around the corner I was finally in a vehicle that was able to get me home safely.

In other news, the videos from the Double Book Launch are now up and you have a choice of two, this is my favourite:



Taken by Casdok herself, this one skips the intro and gets straight into the performance. Cunningly this angle means that you can't see the music stand with the lyrics on it (with the pages the wrong way around). You can just about make out a cable running from the PA and up inside my jacket to my iPod headphones - used as cunning in-ear monitors - vital to making sure I could hear what I was doing. If you would like to hear the (slightly nervous) introduction to this piece, then check out this version:

http://www.youtube.com/watch?v=rAYBizvWDso

Don't forget that you can buy a copy of the Shrek Rap single (either on CD or as a download) for a donation of just £3. We have already raised £17 this way and it would be great to get even more money for DJ Kirkby's local Autism network. Do get in touch via a comment or an email to music @ darencallow.co.uk (without the spaces) and your very own copy will be on its way. It also includes two of my songs recorded especially for this release as an added incentive.

So what's next?

Well apart from a new version of Obsession and a new song called Life Goes On (see lyric at the very top), I'm also working on a piece for Daniel Lehan's show 50 Not Out at the Montague Arms on the 12th March. I'm also planing to record Until We Pass This Way Again and a new acoustic version of Lightkeeper. So there will be plenty to see and hear very soon - come along to Prohibition on the 15th February to hear some new things.

Daren
xxx

P.S. Do check out the radio show on South City Radio (see below) if you haven't already.

Thursday, January 22, 2009

Shrek Rap - The Single


I'm very excited to announce that as part of my commitments to DJ Kirkby's book launch I'm am recording three new tracks to put on CD to sell at the event (and over the internet). All money raised will go to the Portsmouth Autisim Support Network (and other selected charities). The single itself will feature the following tracks:

1) Shrek Rap (by Casdok)
2) The End Of The World Part 1 (Acoustic)
3) After All (Acoustic)

All three tracks have been recorded in one take - with a "live" feel. Shrek Rap was written by fellow blogger Casdok and features a backing track created with my Boss LoopStation RL-20 pedal. This is a pretty fair representation of how I'll be performing it on Monday, although there is always scope for improvisation in this approach and no two versions will be quite the same!

TEOTW I and After All have both been recorded very simply, the former in two takes (the end part was created separately using the loop pedal again) and the latter in one take - that is to say that the guitar and vocals were recorded at the same time. I've been looking forward to recording a version of this song featuring my ever improving picking skills.

I'm just in the middle of mixing the last of these tracks, and once it's all done I'll let you know how you can get hold of a copy either on CD or as a download.

If you are free this Sunday or next then please come along and see me play at The Living Room in Islington (this Sunday) or The Boston Music Rooms (next Sunday - 1st Feb). Also please do vote for me in the Surface Unsigned Festival by texting "London 6004" to 64343 (Please remember to include a space between the area and the band's unique number otherwise we will not be able to use your vote. 16+. Texts cost £1.00 plus standard network charges. Please get permission from the bill payer. Customer services: info@surfaceunsigned.co.uk or contact us on 0800 434 6076). As far as I am aware there is no option to vote other than in person on the night or via Text.

Friday, August 29, 2008

I Had A Dream


I knew it was ready.

I plugged in my headphones and listened to check the levels. As I listened I forgot what I was supposed to be checking and found I was just hearing the song. Emotions welled up inside me as I was catapulted back into my days working around Europe and the fractured emails and texts that make up some of the lyrics. It was all about the distance: the distance between people who are doing what they love but cannot be together. It made me think about the future too - and how it would happen all over again.

It's ready, please listen and enjoy:

Lightkeeper MP3 (3'40)

NB To get more of an album vibe, then you should also download The Prophet and The End Of The World Part II which come before and after it respectively.

Next job is to record Until We Pass This Way Again - as a DJ would say... Stay tuned!

Lightkeeper
===========

I hope that you got home okay,
I had a coffee in Stockholm,
There are riots in Estonia,
And somewhere we are still at war.

I had a dream,
That I was the lightkeeper,
A beacon in the night,
I was the lightkeeper.


I've a fantasy to share with you,
But it's cold and it's wet,
They're burning cars at the airport,
But I can still get your text.

And I had a dream,
That I was the lightkeeper,
A beacon in the night,
I was the lightkeeper.


And the beautiful people were everywhere,
But they had no faces,
And you were blinded by the light,
And could only feel.

But you found me by my energy,
The days are long without you.
It's funny how when you find it,
You just can't live without it.

And I had a dream,
That I was the lightkeeper,
A beacon in the night,
I was the lightkeeper.


I hope that you got home okay,
I had a coffee in Stockholm,
There are riots in Estonia,
And somewhere, we are still at war...

(D. Callow / G.A. Staiger)



Next gigs (not all in London!!):

31st August, 7.30pm
15 Minute Club @ The Living Room, 18-26 Essex Road, Islington, London, N1 8LN

6th September, 7.30pm
Lesstival, somewhere in Kent
The most minimal festival of 2008, it's small, but beautifully formed.

17th September, 8.00pm
The Chequers, 58-62 Carter St, Fordham, Ely, Cambridgeshire, CB7 5JT
Taking my urban songs to a rural setting.

25th September, 9.30pm
The White Hart, 1 Mile End Road, Whitechapel, E1 4TP
Open mic night at the White Hart

2nd November, 8.30pm
The Horn, Victoria Street, St. Albans, AL1 3TE
Featured artist slot at this excellent St. Albans music venue.

Saturday, August 23, 2008

Live On Your iPod


Well here it is. The videos are still a little way off, but the MP3 files are here (courtesy of Joel Armsden of eARmusic.co.uk). I've also put together a cover with a live shot (from a previous gig) by Kris Gruber. I will probably do a second cover once I have a decent video still, so then you'll have a choice.

Enough preamble though, here are the 5 MP3 files (six tracks) for you to listen to. I've done a small commentary on each track below, but if you want to listen before being influenced by what I have to say then here you go:

Live In The Urban Jungle

1. The End Of The World Part I (Live) 4'35 (D. Callow)
2. The Prophet / Lightkeeper (Live) 7'11 (D. Callow)
3. Until We Pass This Way Again (Live) 4'20 (D. Callow)
4. When The Snow Fell In Denver (Live) 6'42 (D. Callow)
5. The Fool I Am (Live) 4'14 (D. Callow)

All songs recorded live at Monkey Chews, London, UK on 19th August 2008 performed by and copyright Daren Callow and mixed by Joel Armsden.


Okay, there are the tunes. Before I write a little bit about each song I just wanted to say that all these songs are pretty much as you would have heard them on the night (barring a few level adjustments) - there are NO overdubs and NO backing tracks. The extra noises and guitar lines were all played by me live on the night... I'll explain more as I cover each song.

1. The End Of The World Part I

I wrote this song whilst watching 28 Days Later, and originally it was going to be about environmental issues, but I decided that was just way too cliched, so instead it's about something else entirely. Please excuse my preamble on the MP3 file, I was a bit nervous to start with. The song features my tambourine (played with my foot, and cunningly taped to the floor this time!) and the Boss Loop Station (sampling footpedal) towards the end (the layered guitar parts, the first of which I play by hitting the strings with my hand). There are a couple of small mistakes, but I think I get away with it... just!

Interesting fact - the line "How can we stop you screaming" is influenced by Whitley Strieber's book - Communion.

2. The Prophet / Lightkeeper

There are two songs for the price of one here, but they can't be easily separated as they run into each other. The Prophet is a new song which heavily features my clever voice box and the Loop Station again. Lightkeeper is a song inspired by travelling with the Pet Shop Boys in 2006 / 2007. I really was in Estonia you know... I just about get the join between the two songs okay, but you can hear a slight click.

Interesting fact - the spoken words at the end of The Prophet are "Keine Krieg mehr bitte" - it's my pigeon German and was inspired by the man who decapitated the waxwork of Adolf Hitler in the German version of Madame Tussauds - it's supposed to mean "No more war thank you" but my German is not that good.

3. Until We Pass This Way Again

My second favourite song on this recording, this is the most recent song I've written. It's a kind of modern folk tune. Nothing much more to say other than it's about the passage of time, oh and I totally mess up the start!

Interesting fact: The noise at the end is Joel's dinner arriving. You'll see this on the video!

4. When Then Snow Fell In Denver

Please excuse the slightly cringe-worthy introduction! Also I mess up the start as I'm trying to play and tap a half-tempo rhythm with my foot at the same time! (I've changed the settings now so I can tap full tempo) Fortunately I didn't muck the ending up, which is my favourite piece of music (of mine) at the moment. The guitar layers are created with the Loop Station and the backing vocals and infinite echoes with my voice box. The backing vocals are mixed a little bit high for me, but they represent what you would have heard live, so I've not changed them. This song was the runt of the Lullabies From The Wheels Of The Bus litter, but I've grown to love it. I especially enjoy singing all the weird harmonies at the end. The kick drum is also supplied by the Loop Station, and it's always a good feeling when I turn it up to find that I've actually played in time!!

Interesting fact: It's entirely possible that I wrote this song in Detroit and not in Denver at all... oh, and it didn't actually snow.

5. The Fool I Am

Last song of the set, and a bit rushed as the adrenaline was definitely flowing after playing the end of Denver. This song is not about what you think it is.

Interesting fact: Someone in the audience was so amazed that I'd actually reached the end of the song that they broke a glass in celebration at the start.

Enjoy!

Dxxx

P.S. If you don't have an MP3 player and would like a CD of this concert then just let me know your address and PayPal me a minimum donation of £2 and it shall be yours! PayPal button is at the bottom of this page: Music - and my email is music @ darencallow . co . uk - just remove the spaces. Oh, you'll also find lots of other files and album artwork to download on that page.

Thursday, August 21, 2008

One Man, One Guitar, Five Nights...



Well I made it intact, five gigs in six days - including one in a shed. For those that missed it, here is a quick catch-up.

Unwrong Quiz, Montague Arms

Recently declared the Best Pub In Britain by the Rough Guide to Pubs - this eclectic pub is home to some of the best alternative and cross-over entertainment in the UK. The evening was a new version of the Unwrong Quiz night hosted by the unfathomable Mark Quinn, and unstoppable Frog Morris. As usual I was the serious music filler in a comedy sandwich and the audience barely knew what to make of me. It was a fun night all the same and it was great to play two long sets as well as debut our new song in tribute to the magnificent Montague - (Woo Hoo At The Montague!).

Highlights - Watching people sing along with All I Want Is You. Giggling my way through Woo Hoo. Finishing the complicated back-to-back songs The Prophet/Lightkeeper to stunned silence!

Frogstock, Blo Norton

In some ways I should have been prepared having done so many nights with Frog and his friends in pubs across London, but nothing really prepares you for Frogstock. Despite it's scaled down and re-branded appearance this year - as Acoustock - it's still a great event. It's almost too much to Blog in detail here, but suffice to say that the evening started with peacocks on the roof, an art tent and Quinn vs. Quinn Olympics (!) and ended with a live rave in a shed and blazing braziers and fire-jugglers lighting up the night.

My own contribution was very much in the middle of the evening, and with a wonderfully Heath Robinson boom mic stand rigged up I played though eight or so of my best songs as the sun began to set. It was great to be part of the evening and so good that everyone played drums and percussion and many acts formed loose bands as the night wore on.

Needless to say I was very tired the next day, but somehow made it to the train and back to rainy London.

Highlights - All I Want Is Stu - with THE Stuart himself on the duck maraca! Accidentally becoming one of the Blo Boys for life by joining in on their rendition of Angry Badger. The aforementioned shed-rave, with live rapping, beat box, and full band... IN A SHED!! When Frog poured a pint of real ale over my head... I knew it was a top night.



15 Minute Club, Prohibition

From the sublime and ridiculous to the sublime and sophisticated. Despite being somewhat tired (but fortunately not particularly hungover) - I was happy to be able to play at this very well organised night again. You get four songs and they went well if not particularly special. They invited me back, so it must have been okay.

Highlights - All the nice people I met, including Rae, Lawrence, Josh and all the performers.


Fiver Programme recording, The Duchess

Wow, this is turning into a long post... are you still with me?! So Monday night comes around and it's time to return to an old haunt - The Duchess pub in Battersea Park. Lurking in the shadow of Battersea Power Station this is the usual venue for the Thursday night open mic sessions, but this was Monday - so what was happening? Well as part of a TV show for Fiver an open mic night was required as a backdrop and my friend Will O'Durkan had been approached to put on an ad-hoc "open mic" night at this picturesque venue. So Will called, and we all responded - arriving in the early evening with our guitars and songs ready and a few nerves in the stomach. Now I've been filmed before and despite a slight fluttering in the stomach I'm usually not too badly effected, but this was for TV and we were all keen to impress, not just to do Will proud, but to give ourselves a chance of being on the goggle-box. The anticipation continued as we greeted fellow performers and signed release forms, it was odd to be involved in an open mic night where everyone was there by invitation. I cooled myself off by stepping out into the beer garden for a while and considered what two songs I might perform to impress, but not over do it. Nerves would make some songs difficult so I decided on a middle route... up tempo, but not over complicated.

As we all know, in life there are no re-takes, but on TV... well it's just re-take after re-take. Will started the evening off, only to be asked to do it all again, and again... until the producer was satisfied. Ashley - the first act - kicked off, and played well despite having had his wisdom teeth extracted only a day or two before. I was to be the third act...

...and my turn duly arrived (after the sublime Katie and Si) - and guess what?! Yep, the TV cameras all disappeared into the beer garden to film the "best friends" talking about their performance to come. Typical huh? So whatever editing takes place, you won't see me perform on TV (yet) - you might well hear me in the background and you will certainly see me standing at the bar and drinking Guinness (looking pretty good in my Jeffrey Bryant styled outfit, if I do say so myself) - so what can you do? Despite that it was a really good fun night, it was great to see Will and some of the other performers again - perhaps I should suggest to Will that he has invitational evenings more often!

Highlights - Katie and Si performing perfectly as always. Watching the poor girl who's TV show it was having to do re-take after re-take as they tried to capture her performance from every angle.


Live Recording, Monkey Chews

You'd think that that would be enough for one weekend... but no! I'd arranged to head up to Monkey Chews on the Tuesday to get a recording of my live set (and a video too). It all come together pretty well on the night (you will be able to hear the results later today), so I won't say much. I'll let you decide how I did.

Highlights - Seeing and old friend. Giving out a world record 14 CDs after the show. Getting slowly sozzled on white wine knowing that I'd had a really good 6 days.

Friday, July 25, 2008

Until We Pass This Way Again

Yes, it seems I have found my folk roots, or perhaps I've just been hanging out with Eddy Jay too much. Either way, I now have a demo of Until We Pass This Way Again for your thoughts. It's certainly a bittersweet song, about passing of time, but also about the way that things move in cycles - no matter what happens the Sun will always rise in the morning and Spring will follow Winter. This is just a demo, vocals and guitar together in one take (via my TC Helicon VoiceBox, so the guitar is not as nice as it will be when mic'ed up) but I think it has enormous potential and I'm already hearing violin (perhaps just a single one) around the two-thirds mark. But anyway, without more ado here it is:

Until We Pass This Way Again (Demo) - MP3 (3'57)

Let me know what you think! (lyrics in post below)


Other News

It's been another busy culture week. On Monday I was in a photo studio in London Fields assisting on a shoot that involved two clowns, a ballerina and a bodybuilder... oh, and some marshmallow dumbbell sculptures!!! It could only be the latest project by Alex Staiger - watch her website to see the results in a week or so.

The Friday before I had great fun at Zero De Conduite at the Elevator Gallery in Hackney Wick. The highlights were the excellent Sculpture doing live tape loop mixing accompanied by visuals that involved a record player and a video camera. Really good stuff. Here's the first three minutes on You Tube.

I also enjoyed James III And The Puritan - who is an almost indescribable mix of live mixer, DJ, grunge guitarist and, well, weirdo in a very strange outfit of cape and multiple headwear!! The Home Office were also excellent cleverly playing along to a video soundtrack so they had synched videos for their songs. Also appearing and entertaining were Craig Template and a gaggle of performance artists.



This Wednesday just gone I was partying at the Notting Hill Blag Club with Wayne Myers (whose birthday it was), and doing a little bit of promotion for my gig there next week. Talking of which, here are the next few coming up, do come along if you can.

30th July 2008, 8.45pm
The Notting Hill Blag Club, 68 Notting Hill Gate London, W11 3HT
The last gig here was an excellent night, this promises to be even better.

31st July 2008, 8.30pm
White Hart, 1 Mile End Road, Whitechapel, E14 4TP
Featured artist at this open mic night in happening Whitechapel.

14th August 2008, 8.30pm
Montague Arms, New Cross
Lots of music and comedy at the Unwrong Quiz night.

17th August 2008, 7.30pm
15 Minute Club @ Prohibition
Prohibition Bar & Grill, Unit 1 Tower Bridge House, St. Katharine Docks, East Smithfield, E1W 1AA
Just 15 minutes of fame!

31st August, 7.30pm
15 Minute Club @ The Living room
18-26 Essex Road, Islington, London, N1 8LN

Oh, one final thing. Why is it impossible to buy string anymore?! I mean, where do you get it from... no one has it!

Daren
xx

Thursday, June 19, 2008

Prohibition


On Sunday I played 15 Minutes @ Probibition Bar and Grill. This is pretty much as it says on the tin. The Prohibition is a modern bar in St. Katharine's docks very close to Tower Bridge (I'd forgotten what a great landmark the bridge is) and the idea is that five acoustic acts perform for 15 minutes each. In most cases this is about 4 songs, which is more than your average open mic night, but less than a full set. The evening was hosted by the charming Lisa Theunissen, who played some songs on the keyboard and sang first. After her was a singer from Down Under called Louise, who got the drunken elements of the audience very excited! I would have more information on her, but she left her CDs in her guitar case!

I was next up and a little nervous as said patrons were getting even more drunk and there was no barrier between the artists and the audience... so I had to impress or face some heckling. Fortunately it all went okay and I played I Need Your Love, Lightkeeper, The End Of The World and The Fool I Am.

The rest of the evening was spent relaxing and enjoying the two bands that followed. It was a really fun night and I'm looking forward to doing it again.

Next gig is a private one... I'm playing at the wedding of Frog Morris and Victoria Belfield! Should be good fun, as I'm hoping to use all the effects and do a good half hour set.

I've also just recorded a fantastic young folk singer by the name of Eddy Jay, lovely song and great guitar picking, I'll post a mix here once we're happy with it.

Oh, I almost forgot, I also had a fun night on Saturday when I saw Jack Stafford and Jasmine perform at the Bull & Gate. Great show!