Get In Line

Now that I’m getting back into this Blogging thing, I realised I was very overdue with a review of the latest musical release that I’ve been intimately involved in. Namely, the debut album – Get In Line – by Country Rock chick: Charlie Savigar. This is a ten track offering which features my input on 9 of the 10 tracks. Rather than go into too much detail, I thought it might be good to give a few (hopefully) interesting facts about each song, and post the latest Promo videos which are yet to be featured here.

If you want to listen along to the tracks whilst reading my notes below, then you can stream the whole thing from Soundcloud, and if you wish to own it for yourself (and support an unsigned artist into the bargain) then you can download it from iTunes, or buy a physical copy from a gig.

Get In Line
This is a firm favourite as a live track (we usually open the set with this) and a nice little rock-n-roll number. Originally the album was going to be called “My Journey” – but I thought this sounded a little passive, so I went through the songs on the album for potential alternative titles and realised that “Get In Line” worked just great. I also had the idea for the artwork that you see at the top of the post, with us all standing repeatedly in line. This was expertly shot by, great friend of the band, Kris Gruber at my dad’s house (the same location that the Superbad video, below, was shot. See picture at the bottom of the post for more of the line).

The drums for this were recorded in sessions with Tim Pennells.

Save Your Love
The beginnings of this track predate everything else on the album by quite some way. Originally recorded in sessions with Gregg Jackman and Francis Rossi way back in 2006, it was put to one side for a while until Gregg suggested that it needed to be sped up a little. Which he proceeded to do in a very painstaking process in Logic. We then searched around for a suitably weird instrument for the intro, which we found in the shape of an oddball Washburn Rover travel guitar (see pic). Brass was supplied by Charlie’s friend Bridget Goodwin who’s favourite phrase during recording was “Just shoot me”!

This is the only track on the album that I didn’t play or sing on nor does my brother play the drums. Instead the drums were hit by Michael Kruk and the bass was added by Nicholas Rossi. Francis played the solo for this track on his distinctive customised Telecaster – in one take!

When Will You Learn?
One of my personal favourites from the album and a really great pop tune. It reminds me a little of some of Ray Davies songs.

Following The Signs
I actually recorded the first demo of this song, which is actually the version you can hear on the promo video. Gregg Jackman re-recorded the drums and possible the vocals too. Marc Wyburn supplied the electric violin.

The fun video has been featured before, but it’s well worth another look.

What's Your Name?
This is the slowest track on the album and we tried to get a more acoustic / Latin feel on this one. In the end Haydn recorded the drums playing the snare with his hands rather than brushes and sticks. There’s a little percussion loop in there and this is the only thing on the album that was not recorded specifically for it.

In order to play this track live Dan (Newell) has to switch from brushes, to one brush one stick, to full sticks and back to brushes again, it took a while to get the best version of this. The lead guitar line was played on a Taylor T5 through a tape echo simulator, which gives it that wobbly, in and out of phase sound.

Superbad
A great pop tune again, that’s great fun to play live. The video for this one was again shot at my dad’s house on a sweltering hot day. Performance artist – Frog Morris – did the background painting live and then sweated his behind off as the spaceman/robot. The video was directed, shot and edited by Ben Henderson. One other interesting fact is that Kris Gruber (who shot the Get In Line cover pictures) also helped out on the video, his hands are amongst those holding postcards. Our friend Daniel Baker also turns up as Superdude (with carefully disguised logo), everyone supplied their own costumes for this one. Both of our drummers, Haydn & Dan feature too as Bond and The Penguin respectively.

Adrenaline
The heaviest track on the album and one that was recorded pretty much all at our house. The drums were re-recorded by Gregg again, but otherwise it’s actually a home project. I’m very happy with the heavy rock sound we got on the guitars, although I couldn’t tell you now which guitar we used, possibly my Les Paul Custom. The video for this one was our lowest budget effort to date (less than £200) – it was written/directed by Frog Morris and filmed and edited by his brother Theo. We tried to mimic the beginning of the Long Way Home video at the start, before heading off into the woods.

Sell By Date
This is, probably, my favourite track on the album. It’s a quirky little number that bounces along rather pleasingly.

Long Way Home
This is another earlier recording from Francis Rossi’s studio. This was also my first studio experience of working with Charlie (I provided a few harmony woo hoos). The bass on this one was provided by Allen Sassani and the hillbilly guitar lines were played by Adam Wedd.

Although you can’t really tell from the finished work the drum track was mostly recorded in little 2 and 4 bar sections to make sure we got the killer version.

Dance
Finally the album is rounded off with another track that is mostly comprised of the demo recording. The slide guitar parts were all played on Charlie’s Tanglewood resonator.

Tracks were variously recorded by Gregg Jackman, The Animal Farm, Tim Pennells and myself and all mixed by The Animal Farm. Mastering was by Hafod Mastering in Wales.

Except where mentioned in the text all drums were played by Haydn Callow and bass by Alex Lofoco.

Following The Signs

It's been another hectic and busy year so far (well that's my excuse or not Blogging and I'm stickig to it). I've already had trips to Mexico, Nashville and the top of Mount Snowdon. On the music side we played a 40 minute set at Tootsies in Nashville (more on that later). To top it all off we have created a fabulous new promo video for Charlie's new song: Following The Signs which we recorded and mixed ourselves.

This was a real labour of love and took several months to get everything together. We needed a large number of props, including a book (lovingly produced by myself with Victoria and Frog Morris), costumes for all the band and four different outfits for Charlie. After the problems with rain on the last video shoot we decided to do everything indoors. The only real option for this was to convert out house into a studio. This meant costumes in the dining room, make-up in the conservatory and film sets in the living room and front bedroom. The house was crammed with equipment and people! The illustrations in the book (see above) were created by the highly talented - Frog Morris - and he even came down to lend a hand on the day too. Alongside the band and Frog we also had a make-up artist, Maximilian White the director and Rob Macfarlane on second camera - quite a house full. To cap it all a Virgin Media engineer turned up halfway through to fix the phone - what he made of it all I don't know.

Many of the scenes were to be filmed in front of a big green screen to allow us to shoot the various locations that were in the book. This meant hanging a big green sheet up (there's a great pic of Frog ironing this flat - check out the Behind The Scenes page for this and loads more) in the spare bedroom. I soon realised though that the door was going to be in the way, so this had to come off! Somehow we also managed to get a wind blower in on the landing to create a blizzard at the end of shooting. Filming kicked off in the Living Room with Charlie and our severely jet-lagged director - Max. To give you a flavour of this, here is video clip of him explaining to Charlie what she needs to do...



I think she got it!! After the living room scenes we had to shoot all the other "locations" in the bedroom. This created a headache for Max and Rob as there was very little room and for the most part they had to shoot everyone separately and then edit them all together in post production. After lots of takes and various reactions from all the guys (and four costume changes for Charlie) - everything ended in a huge snowball fight and blizzard!! Charlie even managed to throw one snowball right at the camera lens, but fortunately she didn't break it. After the wrap it was time for Max to do his magic, we were just hoping that we'd got all the shots we needed.

Well we needn't have worried, once the video arrived we absolutely loved it! We were relieved and happy as so much time and money (about £1200 in total) had gone it to it and it came ou looking like the budget was much, much higher. So here it is, do enjoy watching (make it full screen and turn up the sound if you can, it is HD after all) and make sure you give us some feedback... oh and pass it on to anyone who might enjoy it:



Many thanks to everyone who helped getting the video together...

Video director / editor: Maximilian White
Second Camera: Robert Macfarlane
Make-up: Mallzii MUA

Following The Signs recorded and mixed by Daren Callow.
With many thanks to Ville Leppenan

Thanks also to Frog Morris, Victoria Morris, Alan and Lorraine.

Anywhere And Everywhere

It's taken 4 months, but it's finally here! The next EP release from my musical partner in crime - Charlie Savigar. Unlike the last EP - Long Way Home, which was recorded at Francis Rossi's home studio and produced by Gregg Jackman where I sang a few backing vocals - I had a slightly bigger role in bringing this one to fruition. I had a hand in the engineering, production and mixing, as well as playing guitar and singing on all the tracks!

Aside from this the majority of the singing and playing is done by Charlie herself. She sung all the vocals and played guitar and all keyboards on all the tracks (she's a very skilful piano player, which we don't get to show off live yet). The final two musicians on the tracks are my brother - Haydn Callow - who played all the drums and Italian bass player - Alex Lofoco - who supplied all the low end notes. As is the modern way the songs were recorded in a number of locations including Acton and Clapham and then mixed in my own home studio. Charlie is one of those artists who can't really be pigeon-holed into one genre and she writes in a number of musical styles. So here's a quick breakdown of what to look out for on each track:

1) ANYWHERE AT ALL
This is a toe-tapping Country rock number. As with most of these songs - Charlie's guitar is on the right and my guitar on the left (the same as we stand on stage). This was actually the last of the songs that we recorded and I felt we got the best snare sound on this track. I had a very small contribution to the writing of this song as I came up with the "anywhere at all" lyric when we were jamming it originally.

2) ADRENALINE
This song is a full out rocker and the heaviest song we play in the set. In this case my guitar is double-tracked and Charlie's picked guitar part moves from the left to the right. We shortened the intro to make the song more immediate and we play it a little different in the live show. We had great fun getting the "heys" in the middle 8 echoing from left to right in the stereo mix. This was also Haydn's first recording playing double kick drum pedal (ie he plays kick drum with both feet, for that rolling drum sound).

3) NO GOOD FOR ME
This is a song that people often pick out as their favourite song in the live set. It makes use of a lot of harmonics on the guitar (where you touch the string lightly and pluck it so it rings like a bell or a chime). It's also a great lyric, which you might not guess is about alcohol and not being able to find the drink you like! We had fun at the end of the song as mostly it's played to a click track, but the drums and bass slow down and we had to slow our guitar parts and vocals to match what they've done.

4) BLUE DAY
Again another different feel for this song which is part rock, part blues and part ballad. It's also in 3/4 time which is a bit unusual for a rock number. The end of this song originally had a 4/4 section, but we decided to change this fairly early on in the recording process and keep the 3/4 feel all the way through. Originally it also had my overdriven guitar part played all the way through, but we gradually cut it out from parts of the song to create a sparser arrangement. We also had lots of problems with one of the sung days (the first one after the guitar solo) which had an annoying "click" right in the middle of it! In the end Charlie had to re-sing that one word!! You might also be interested to know that the guitar solo is actually three different takes edited together - hopefully you'll never know that now. I have to say I really like the ending of this track where the piano chords, bass and guitar all resolve back to the root chord. The sliding guitar stop at the end is from my very first guide guitar part.

Well there you go, that's a brief summary of each track and now, I hope, you are wondering where you can get hold of the EP!! Well check out this link:

http://charliesavigar.bandcamp.com

Where you can download the tracks in MP3 format or a number of others. Also if you are quick you can buy one of a limited edition of the EP on CD. These CDs (pictured above) are individually numbered and signed by Charlie herself! Move quick if you'd like one of these as there are only 30 or so left (from 50 to start with). If you are happy to wait Charlie's EP will shortly be on iTunes and so on, and you can also download her first 3 track EP - Long Way Home from there:

Charlie Savigar on iTunes

Hope you enjoy the songs!

Daren
xxx

P.S. For those of you born in the CD/MP3 age you might be interested to know what EP stands for. It's actually short for "extended play" and comes from the days when 7" vinyl singles could be made to play at 33 1/3 rpm instead of 45 rpm. Slowing down the spin allowed more music to be put on the smaller format - hence the extended play moniker.

P.P.S. You might also like to know where Charlie is in the Hotdisc chart as it's chart day again today. She was at #36 last week and #8 in the UK chart.

P.P.P.S. As a bit of fun there is no number #13 EP - instead there are two #14s in purple cases (Charlie's favourite colour).

Troubadours

I have been to the wonderful Troubadour in Earl's Court many time, but never played there. This finally changed on Tuesday 16th March when my band, Callow Youth, headlined at a select night. It was a really cool evening, Frog Morris opened the night with poetry and puppets! Then Charlie Savigar and her band took to the stage and we really excellent (I am a little biased, but only a little) - her performances are coming on all the time and she was very good to start with! Luke Jackson then astonished the growing crowd with his powerful voice and intimate and well observed songs.

Finally it was our turn, and Callow Youth (Daren Callow, Haydn Callow and Wayne Myers - with a little help from Charlie Savigar) finally played on the famous Troubadour stage. We didn't manage to get all the performance on video, but here are a couple of highlights:



That was our intro song... and this one came soon afterwards:



I've been sadly neglecting my Blog recently, but this year is promising to be really, really exciting, so I'm going to make more effort. Plenty of band gigs with Charlie and my band coming up, plus going on the road with Katie Melua to do more merchandising later in the year. So look out for more things to read.

Looking forward to catching up with you all,

Daren
xxx

Can You Hear Me?

Can you hear me? There are plenty of ways to do so, and this post is going to outline three of them. Read on wherever you are are in the world, as there is something for everyone.

First up there is fantastic chance to hear me live with my band - Callow Youth - this Thursday 21st January at the White Hart, 1 Mile End Road, Whitechapel. Callow Youth is a three piece band featuring myself on guitar, vocals and vocal effects; my brother Haydn Callow on drums and percussion (he's a truly amazing talent, well worth the price of admission just to hear his playing alone) and Wayne Myers on bass (Wayne is also a very talented multi-instrumentalist and a seriously good player). We'll be doing our usual mix of songs (including favourites; Lightkeeper, When The Snow Fell In Denver and I Need Your Love) plus all the spoken word, instrumental and weird sound effects that you would expect from us. We'll be onstage at about 9:45pm, so plenty of time to check out the art openings in the area, grab a bite to eat and a beer and not miss a note. Admission is just £4 on the door (£3 for students with an NUS card) - a real bargain, as it includes four acoustic acts too.

Can't get to the gig? Well how would you like me to come and play in your own living room, school, church etc..? well thanks to the growing phenomenon of Micro or Home Gigs this can be arranged. Do you have a room large enough to allow ten of your friends and the artist to be accommodated comfortably? If you have a detached or isolated space then we can bring the whole band, alternatively we can play acoustically or with an electronic drum kit. I can also arrange for more than one artist to perform and make a fantastic night of music for you and your friends. Prices would start from about £60 for one artist up to about £120 for a full band plus support act. If you can get 10 friends along that is only £6 - £12 per person and the price would include a demo CD (usually £3) so a great bargain. If you can get more friends along the price per person is a lot less. So what do you need to do? Well just think of a date (or dates to be on the safe side) and get in touch... drop me a line at music @ darencallow . co . uk (without the spaces). Acts I can get to play for you include myself, Callow Youth, Charlie Savigar, Fit & The Conniptions and more... the prices quoted here are for the south east of England, but we can sort out prices for anywhere in Europe or the world, if you really want it, it can happen!

So one more option to hear my music in this post: I am very excited to announce that you can now download the Faith! album from iTunes. This super compilation album sold in aid of Cystic Fibrosis features a unique mix of my own song - Lightkeeper, as well as tracks by Luke Jackson, Eddy Johns and Charlie Savigar to name but three. Only want one track, no problem just download the one you want, or grab the whole lot (a massive 18 tracks!!) for just £7.99 - every single penny raised will help this good cause, so please go and get one, more or all!

DOWNLOAD NOW!

That's it for now, after my gig this Thursday I'm off to Thailand for two weeks for a holiday. I'll try and do at least one post from out there, otherwise, see you all when I get back. I'll be heading to Charlie's gig at the Cafe De Paris, Leicester Square on the 12th, so maybe I'll see you there.

Daren
xxx

Picture is from my gig at The Library in Islington, taken by Harriet Armstrong - www.harrietarmstrong.com

Obsession

It's been a month of real highs and occasional lows. I've had some great gigs and some ordinary ones, but the good ones are outweighing the others. The band gigs have been especially enjoyable. Last week on the 23rd we played at Power's Bar again and it was a tough gig to play with the audience either a) not being into us or b) not being there. But we still played our best gig yet. Haydn was on sensational form and Wayne too (despite a trapped nerve in his shoulder). We played like there were a couple of thousand people there to see us, rather than the dozen or so that were left by the end. That is, after all, how you should play every gig, so we felt good and energised if just faintly disappointed that we didn't get a bigger crowd. It was a quiet time of year anyway, so we're expecting better things in 2010.

Which brings me on to plug our two next gigs, which are both really exciting. Firstly we'll be at THE WHITE HART, Whitechapel (Mile End Road) on the 21st January. We are the only band on, so will be using Haydn's full kit again and really looking forward to it. The gig is upstairs, and we will be on between 9.30pm and 10pm, so plenty of time to come down after work. Do come along if you can.

Then on the 16th March we have a really excellent line-up for you at the TROUBADOUR in Earl's Court. We will be headlining, and the other acts will be Charlie Savigar and the 15 year old singing sensation - Luke Jackson. We are really hoping that Frog Morris will be able to be the host and perform sketches and poetry and there will be one more opening act. This night is NOT TO BE MISSED!!!!! You've had plenty of warning, so get it in your diary now, and make sure you are there.

Meanwhile my solo gigs continue. Best way to see those is to check out my website:

Gig List

I'll try and do another post early in 2010, but for now, I'd like to wish you a fantastic and music filled 2010. Make sure you get to see as many bands as possible and support unsigned and up-and-coming bands.

All the best!

Daren
xxx

Callow Youth - 11th November

With great excitement I can announce that my new band will be called Callow Youth. The band is myself on guitar and vocals, Haydn Callow on drums and percussion and Wayne Myers on bass.

Out first gig will be at Power's Bar, Kilburn on the 11th November.

There will be more news and a website coming soon. But for now, stay tuned to this Blog for all the latest recording and live news.

Daren
xxx

Seeing The Light

Technology is an amazing thing. These days I have more recording equipment and processing power available to me than many studios had in the hey-day of rock'n'roll in the 50s and 60s. Even the Beatles only had access to 4-track tape recorders in the early 1960s. My hard disk recorder can record eight inputs at a time, and play back up to 16 tracks, all in digital. To further complicate things, it also allows up to 8 takes per track. On my Apple Mac I can record as many tracks as the specification of my computer will allow. Currently the track count for my re-recording of Lightkeeper stands at 48 different "takes" on the hard disk recorder and track count on for the mix now stands at 32! It's only since the 1970s that so many tracks could be played back at mix time (on analogue tape) and, frankly, it's kind of mind-boggling.

It's further complicated by the fact that I am song-writer, guitarist, singer, studio engineer, producer and client! It's hard to step back from it all and just listen to the song and hear what it needs. This is why I've not listened to it for a day now, and will try and clear my mind before working on the mixes later this week. In case you didn't realise I'm working on this track for a charity album which will be released later this year. The album will be called "Faith" and includes a number of artists that I've seen or played with live, including Luke Jackson, Eddy Johns and Kayley Weller. It's in aid of Cystic Fibrosis and will contain 16 tracks in total. If you want to follow progress then check out their website here:

http://www.allroundmusic.co.uk/

As mentioned my own contribution will be a new (and unique) mix of Lightkeeper, featuring Haydn Callow on drums, Paul Tkachenko on bass and, err, me on everything else. This recording will exist as two mixes, one shorter one for my use on demos and a longer "album" mix just for this record. So essentially if you want to hear that mix, you will have to buy the album. You can follow my own updates on the track here or on Twitter. I will also be working of a shorter version for my own purposes, and I'll let you know as soon as you can hear this version.

In other news, last Thursday was a cracking night down at the Montague Arms again. This month's highlights included a laughing bear, a horse comedian, a real human comedian, Aaron Barschak, pie roulette and the excellent Dead Victorians. The latter featuring a unicycling violinist and the maestro Paul Tkachenko (again) this time on accordion, saw and bells!

Quite frankly a full review would be impossible, but here are some video clips:

http://www.youtube.com/user/charlotteyoung

Next one is July 9th - be there for more of the same, only different.


In the meantime, I'm playing tonight at the Abbey Tavern in Kentish Town. Full list of gigs is as follows:

15th June 2009
RAW Rocks @ The Abbey Tavern, 124 Kentish Town Rd, London, NW1 9QB

21st June 2009, open mic from 7.00pm onstage after 8.30pm
Stripped Bare @ The Phoenix, 37 Cavendish Square, London, W1G OPP

25th June 2009, open mic from 7.00pm onstage after 8.30pm
Stripped Bare @ Edinburgh Cellars, 125 Newington Green Road, Islington, N1 4RA

28th June 2009, doors 7.30pm
15 Minute Club @ Prohibition, Unit 1 Tower Bridge House, St. Katharine Docks, E1W 1AA

1st July 2009
Stripped Bare Acoustic Productions presents:
Wood 'N' Strings @ LOOM featured act
Loom Bar, 5 Clipstone Street, London W1W 6BB


See you soon,

Daren
xxx

P.S. The picture is Paul Tkachenko (AGAIN!!) this time playing Sousaphone for the Jazz Kings as part of the Croydon Jazz & Blues Festival. He's a busy boy!

Summertime (Almost)

The Sun has made an appearance in London, and we've all been enjoying it while we can. It may not last long! This is partly why I've not written an update recently, but it's also partly because I've been very busy musically with gigs and recording for the charity album "Faith" in full swing.

Here's a bit of a round-up of what's been happening.

Duchess Showcase

It really was one of the nicest days of the year so far when I turned up to play at the infamous Duchess Showcase run by the excellent host Will O'Durkan. The Duchess has a stunning view of the looming Battersea Power Station (see picture above) and it's particularly impressive from the balcony where we hung out before the gig. The music itself was of the high standard that the Showcase prides itself on. Reuben Hollebon kicked things off with his enigmatic and individual vocal style. Laine Hines then played his retro blues eschewing microphones and amplified guitar to reach the room directly.

In total contrast to Liane I took to the stage with my VoiceLive box and looper pedal ready to go. In the end I didn't really use them as a combination of the vibe of the night and some monitoring problems meant they weren't really suitable to the evening. In the end a quiet version of After All seemed to go down the best. Many thanks to Frog and Victoria in particular who came down to support, and offered generous (and very polite) applause when Lightkeeper was introduced! A first for me.

The evening continued until quite late with first Tom Moriarty making the crowd swoon, and then Smile At Strangers making us, well, smile. Favourite moments were Tom giving up on a new song, which sounded excellent, but I guess was just debuted a little early. And then Tom (again) playing bongos for Smile At Strangers, a very relaxed and enjoyable evening all round.

Nine Bar

The Nine Bar is a new venue for me and also for the effervescent and tireless host Carl Chamberlain. Carl is one of live performer's champions and he really knows how to put on a good night and keep the crowd happy. I must confess I don't remember all the acts that played as amongst the sizeable crowd where my friends Alex, Seb, Rosie and (new friend) Ed. Now these guys are serious music lovers too, and made a point of listening, applauding and, occasionally, going to the front of the crowd to hear an act they really liked. All in all it was another extremely pleasant evening. The acts were strong, I got another sing-along going to The Fool I Am (first number of the night for me!! Lead by Carl, of course) and received some nice comments.

Carl usually does an much more indepth review of his nights than I can do here, so do follow his link above and check out his Blog.

Drum Recording

Those who follow my Blog regularly will know that I have been invited to submit a track for a charity compilation called Faith. Rather than submit an old track I decided to re-record a favourite from scratch. This time I would invite top musicians to play rather than do it all in Garage Band. Last Friday I recorded the drums played by the excellent session and live player - Haydn Callow. Who, of course, also happens to be my younger brother.

As an aside here, it is worth mentioning that none of this would be possible without my brother's influence. It is almost entirely because of him that I am playing and writing songs and performing these days. From a very young age he knew that he wanted to be a drummer and started getting a kit together as soon as he could persuade our parents to stump up the cash. In an effort to join in with him I first got a small keyboard and then, when this turned out to be not loud enough, an electric guitar. The rest, as the cliche goes, is history.

So it was a great pleasure to have him play drums for me on this recording. We set up the kit at a secret location in Hertfordshire and two hours later we had 5 good takes on disk for me to work through and add to the evolving mix of the song. Haydn's Yamaha kit sounds phenomenal and it's very easy to record, his playing is also accurate and original. The song is really coming on now and, after his suggestion, has both live drums and drum machine on it (plus a tambourine played entirely out of time by me). It's a very exciting prospect and this version of the song will only be available on the record, which will be available around October I believe.

Next stop on this trip is to record the bass with talented multi-instrumentalist Paul Tkachenko, before that though I'm hoping to add electric guitar and vocals today and tomorrow.

By the way, Paul and one of his acts: The Dead Victorians are playing at the Montague Arms - this Thursday 11th June. It's 2nd Thursdays hosted by Frog Morris that night, which is always a fun evening. I'll be there to support the night, so why not come down from about 8.30pm and be a part of the night which also features Pie Roulette!

Well that's all for now, catch you later.

Daren
xxx

Influences... Morrissey

Morrissey has just turned 50 so it seems appropriate to say a few words, and what better person to kick off an occasional series on musical influences. I should say straight away that I wasn't a big fan of The Smiths, although I do own Big Mouth Strikes Again on 12" I prefer the live Morrissey version... "as her iPod started to melt". Somehow The Smiths were just too depressing in a pretty poor time for rock music in the UK.

Morrissey's solo music started in the same vein and then became more playful (if still willfully at odds with everything). I think the key difference though is the rest of his band, Boz Boorer and, particularly, Alain Whyte are big heros of mine and do, in fact, write most of the tunes on Morrissey's records. Ringleader of the Tormentors and You Are The Quarry are my favourite albums, but his band is also great live so check out the excellent Live At Earl's Court which sees them all at their peak (before Alain Whyte left the band) and includes some rare Morrissey tracks and some of the best Smiths songs too. This last record also includes one track that was never on an album but sums up the best of Morrissey's music for me, if you want one track to check out then listen to Don't Make Fun Of Daddy's Voice - cracking tune, amusing yet caustic lyrics... perfect rock.

Of course I realise that Morrissey is much like that other British tradition that begins with M - Marmite. People tend to either love him or hate him - which is the sign of a truly radical artist, I could never court controversy the way he does, but I do try to be more creative than average in my lyrics. Whichever, it's good to see some real longevity in the UK music scene, so happy birthday you old bugger - I hope you have plenty more!

Some miscellaneous memories relating to Morrissey and (ahem) booze:

1) Drinking my friend Adrian's ENTIRE collection of red wine, whilst alternately playing and arguing for early or late period Morrissey songs as being the best. We agreed, drunkenly, to disagree.

2) Missing Morrissey's appearance at a Paris festival because Peachy and I didn't make it out of the hotel bar. What can I say, I enjoy getting drunk with friends... we did make it to see Radiohead the next day, and they were utterly fantastic.

To hear the Morrissey influence, check out my song: The Fool I Am


In other news, the recording for the charity record is full steam ahead. I'm very pleased that the peerless Haydn Callow and frighteningly brilliant Paul Tkachenko have agreed to play respectively drums and bass for me. I'm very, very excited about this. Now perhaps if I can just get Tony Visconti to produce it... hmmm. Much more news on this to follow.

The recording is leading to a slight lull in gigs, but I will be back stronger than ever with some new arrangements (although no new songs just yet) on the 4th June at the Nine Bar near Tower Bridge.

Full gig list:

4th June 2009, music from 7.30pm
The Nine Bar, 146 Tanner Street, London, SE1 2HG

15th June 2009
RAW Rocks @ The Abbey Tavern, 124 Kentish Town Rd, London, NW1 9QB

21st June 2009, open mic from 7.00pm onstage after 9pm
Stripped Bare @ The Phoenix, 37 Cavendish Square, London, W1G OPP

28th June 2009, doors 7.30pm
15 Minute Club @ Prohibition, Unit 1 Tower Bridge House, St. Katharine Docks, E1W 1AA

1st July 2009
Stripped Bare Acoustic Productions presents:
Wood 'N' Strings @ LOOM featured act
Loom Bar, 5 Clipstone Street, London W1W 6BB

Best wishes to you all,

Daren
xxx

P.S. Shamefully I have never seen Morrissey live, so the picture above is me and Peachy missing Morrissey in Paris, August 2006.